My Gibson Flying V 74 & Firebird limited 76
                      BEAUTY !

brothers? I love the warm colors on these axes.. (especially the V!)
June 13, 2014
Ed King’s Gibson Les Paul 59’ burst
From the Japanese book “Beauty of the burst”.
According to King, he recognized his guitar from that picture after it was stolen from him, years earlier.
May 19, 2014
Gibson EMS 1235
Spruce, Mahogany
This 1959 model is one of 13 made and features three legendary PAF pups. More info and photos by Guitarpoint
May 14, 2014

1980 Gibson Sparkle Blue V2
May 10, 2014
Gibson ES-150
Rosewood, Mahogany, Ebony
Gibson’s original electric spanish  with the famous Charlie Christian pickup, jazzy goodness.  More pics
April 25, 2014
BB King
In 1949, BB King jumped into a building on fire to salvage his guitar. The fire originated from a fight between two men over a woman named Lucille. King would eventually baptise his instrument of choice, a Gibson ES-355, with the same name. The King of Blues has developed his unique playing style on guitars all nicknamed after a woman he never met.
March 31, 2014
Gibson PAF pickup
The very first humbucker and probably the most sought after pickup of all time, the PAF was invented by Seth Lover, then Gibson employee, as an answer to the problematic hum caused by single coils. Famously the de-facto pickup on Les Paul standards of that era, the PAF was the secret weapon to crush Fender.
PAF stands for “Patent Applied For”, as seen on the decal. Story goes that no PAF pickup sounds the same, but they all roar. This is probably due to the fact they were randomly stuffed with Alnico II, III, IV or V magnets. Modified patented versions were produced after 1962, marking the official end of the “Patent Applied For” era. Since then, countless reissues, clones and copies have been produced.
GuitarHQ has pulled a very comprehensive guide to the PAF
Photo by mmcquain
June 7, 2012
Gibson CS Marc Bolan Les Paul
2011-2012Maple, Mahogany, Ebony
Marc Bolan’s Les Paul was a FrankenPaul. It was built out of several LPs from different eras. Its whereabouts are unknown, but Gibson believed its last state to be a 50s Les Paul body with a 70s LP Custom neck. That’s on these specs that they built the Custom Shop Marc Bolan signature Les Paul. Of course, its a limited run of 100, on top of which another 350 VOS have been produced.
The aged finish may be called ‘Bolan Chablis’, its not by licking the maple top that you’ll get a proper taste out of this axe.
Photo by the Music Zoo
May 23, 2012
Gibson Grabber
1973-1983Maple, Alder
Released at the same time as the Gibson Ripper, the Gibson Grabber broke even more the EB series mold.
The Grabber was Maple head to toe up until 1975, when the body got swapped with Alder. Same headstock as on the Flying V.
A single pickup, modular, could be easily moved to a neck or bridge position. In parts due to the wood choice, Its tone is brighter than what you could expect from a Gibson humbucker. Hear it
A limited edition re-run was produced in 2009.
May 21, 2012
Gibson Ripper
1973-1983Maple, Alder, Ebony
Gibson EB bass series was very popular, but getting old. They freshened up in 1973 with the release of two basses that would clash with the Gibson tradition: The Gibson Grabber and the Gibson Ripper.
Instead of the Mahogany body, the Ripper was built with Maple (and alder in 1975), woods usually found on a Fender Production line. The bass was kept at low cost by keeping it cosmetically basic. In 2009, Gibson released a limited edition reissue called the Gibson Ripper II.
Photo: BCR Music
May 19, 2012
Gibson Byrdland
1955-PresentSpruce, Maple, Ebony
The name Byrdland is a mashup of the names of Billy Bird and Hank Garland the two guitarists who participated in its design. They had requested a short scale archtop that would be less bulky than the traditional hollowbody, and this is basically what they got: A short-scale thinline L5CES.
P90s, PAF pickups, venetian or florentine cutaway, the Gibson Byrdland went through several phases, but was always seen as a remarkable and prized instrument. Some of Gibson’s finest. Hear it
Photo: Georgesmusic
May 13, 2012
Gibson ES-175 CC
1978-1980Maple, Rosewood
This is officially the first model featuring a Charlie Christian pickup since the ES-150, on which the pickup made its original introduction in 1936. Although the ES-175CC was an instant success among jazz players looking for a vintage sound, only 479 units of the Kamalazoo crafted instrument were ever produced. Hear it jazz
April 24, 2012
Gibson SG
1961-1980Mahogany, Ebony
As everyone knows, the SG was originally a double cutaway version of the Les Paul model. Les Paul didn’t care so much for the new style and his name eventually got dropped to be replaced by the SG label(as in Solid Guitar) in 1963. So the 1961-63 transition model, sometimes referred to as a SG Les Paul. It is technically not a SG yet, even though it looks, smells and taste like one.
The SG custom is the top of the SG line. Until 1969, the only finish available was white. Three humbuckers that drool 60s heavy rock. No less than four tailpieces variations can be found on the SG Custom: Bigsby (61-63), Sideways Vibrola (61-62), Short Vibrola (62-63), Maestro ‘lyre’ Vibrola. Hear Phil X get High on it
Pictured is a 1965 model by Vintageguitarz. 
April 13, 2012
Gibson ES-5
1949-1962Maple, Rosewood
The ES-5 was first revealed at the 1949 NAMM convention as “the supreme electronic version of the famed Gibson L-5”. It was the first Gibson model to feature three pickups. That is also the first Gibson to feature volume knobs with a 0-10 graduation. The original price tag was $395, which was well below the price of a Super 400.
A four-way switch was eventually added in 1956 and the model was renamed “ES-5 Switchmaster”. A year later, the P-90s were replaced by the legendary PAF pickups. The Es-5 was reintroduced between 1995 and 2006 as a Custom Shop model.
March 23, 2012
Gibson Explorer E/2
1979 - 1984Walnut or Mahogany, Maple, Ebony 
There’s a lot of confusion over the Explorer model of the early eighties. The model went through a chaotic evolution process, changing construction as fast as names. Open any blue book, and you will find those guitars filed alternatively under E/2, CMT, Explorer 2 or The Explorer.
The original E/2 version has a beveled laminated body and, because of its Maple/Walnut pancake construction, turns out as a rather heavy guitar, nearing 12-13lbs. The E/2 CMT (as in Curly Maple Top), more classic in shape and construction, is lighter weight and amazingly good looking. Dirty, Dirty, Dirty Fingers…
March 8, 2012