Fender Precision Bass Plus
1989-1993Alder or Ash, Maple, Rosewood
Nicknamed “Boner P-Bass” because of its elongated horn, it is one of the first 22 frets american made bass. Two Lace sensor pickups (one Jazz + one precision). Hear it
June 1, 2012
http://electricized.com/notes/24193798237/O94RDbqfD
The guitar Gibson copied: Greco Super Real RS-901989
Greco is one of the first and most important “lawsuit guitar brand” of Japan. This means they were making copies of american guitars, often too close to the real deal, close enough that Gibson and Fender alike felt compelled to sue them, more than once. Greco’s copycat era climaxed in 1981 with their “Super Real” series, which are highly collectible and extremely rare models.

Although the Super Real Project supposedly lived only through 1981, the 1988 Greco RS-90 (or RS-900) sports the “Super Real Project” label.  Even more interesting, it might be an original design. The Gibson ES-137, closest sibling of the RS 90, was release in… 2002. Did Gibson copy a japanese maker?
Edit: Before the ES-137, there was the much older ES-135. The ES-137 is very much inspired by the ES-135, so this is a bit of a stretch. But the trapeze tailpiece on the ES-135 doesn’t work with this “Super Real Project” scenario. Kudos to Bay State Vintage Guitars for the comment.
March 13, 2012
http://electricized.com/notes/19237623332/O94RDbqfD
How many brands had their own take on the stratocaster model? Even Gibson had its “super-strat” moment… for the best. Here shown is a 1989 Gibson Super-strat “U2” edition (with OBL pickups.)
May 24, 2011
http://electricized.com/notes/5798944400/O94RDbqfD
c 1989 Gibson Flying V 90 Double
April 25, 2011
http://electricized.com/notes/4925131717/O94RDbqfD